| Despite
Islamic restrictions, many in Iran find ways to live freely
BY JON SAWYER
St. Louis Post-Dispatch
TEHRAN, Iran - (KRT) –
An overflow audience some 300 strong showed up at Iran's
main teacher training college last month to discuss a locally produced
film from which government censors had made 17 cuts and whose release
had been delayed for nearly two years.
In the Islamic Republic of Iran, it is remarkable that watchable films
get made at all, considering regulations that are among the most stringent
in the world.
No women shown with their heads uncovered. No woman making physical contact
with any man. No direct criticism of Iran's ruling clerics, or of Islam.
Yet the director on the college stage, Bahman Farmanara, has made a film,
"House on the Water," that tackles everything from adultery,
betrayal, drug abuse and AIDS to the loss of faith in Iran's revolution.
Iran is home today to some of the world's most compelling movies - and
where movie directors are just some of the people battling the odds to
live free lives.
Farmanara tells the students that in other university appearances, he
has been chased off the stage by "basij" militia, paramilitary
"volunteers" that Iran's clerical regime traditionally has used
to enforce its edicts.
But at the teacher training college, the local basij gave its blessing
to the showing of the film and Farmanara's appearance, students said,
and pledged to permit more such discussions in the months ahead.
"They're responding to society's demand," one woman student
explained. "They have no choice."
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To many viewers, what is most striking in Farmanara's
film is that the main character lives a morally corrupt life but is presented
sympathetically.
"They're used to black and white," Farmanara said. "I tell
them that in real life everybody is shades of gray."
It's not a bad summary for life in Iran itself.
This is a country seared by revolution and war, the sudden imposition
of clerical rule after the revolution in 1979 and then, almost immediately,
the onset of an eight-year war with Iraq that would claim some half-million
lives.
You see the price that a generation paid at Zahra's Paradise, the vast
and meticulously maintained cemetery in the desert plain south of Tehran
where many of those killed in the war are buried. Row after row of graves,
each with a stone marker and a glass case containing photographs and mementos,
pays tribute to the "martyrs" who sacrificed their lives.
"Mother, be happy," reads the message at the grave of Mehdi
Karimi, a member of the Revolutionary Guard who died in Iraq at the age
of 19 in 1984. "I have not died," the message reads. "I
am alive. The kindness of you is with me still."
Yet the very sacrifice of that war helped transform Iran. The mullahs
who spurred the martyrs on knew that with so many men lost to war, they
would need help to keep the country's economy afloat - and so turned to
women who traditionally had remained at home.
It wasn't exactly "Rosie the Riveter," not with rigid enforcements
on dress and sexual contact still in force, but it nonetheless brought
millions of Iranian women into social and economic settings their mothers
had never encountered.
"Women had to start being present in society," said Ziba Jalali,
a specialist on women's issues. "Afterward, they didn't want to go
back to their lives at home. They started to function in society and they
wanted to continue."
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Some of these new-generation Iranians were encountered recently in Dareke,
the area of hiking trails in the foothills of the Alborz Mountains just
north of Tehran, where young people flock on weekend mornings because
social rules are less rigidly enforced than in the city streets below.
The trails follow a fast-flowing stream, with lush foliage on either side
and bare mountain up above. The path crisscrosses the stream and at nearly
every bridge there's a teahouse where day-trippers while away the morning,
checking out the scene from raised platforms covered with rugs and pillows.
Fatemeh, 30, is a secretary in a school, as is her friend Sara, 32. They're
here with two younger women, Sara's sister, Azer, 21, and Nazila, 20.
They ask that their real names not be used but are otherwise engagingly
frank - about their work, their families, men, America and what they see
as the failures of the revolution.
None of them is married. All live with their parents. None has traveled
abroad but would like to - "to America, of course," Azer said.
"Because America is the place where anything is possible, where there
is freedom for anything."
The women believe that the U.S.-led war on Iraq was good.
"America got our revenge for us," Azer said, adding that she
rather likes President George W. Bush's gunslinger style. "When America
says something, they mean it. We chant - they act."
They have no faith in the clerics who rule Iran, whether reformers or
conservatives.
"They are all still clerics," Fatemeh said. "They will
never give up their power voluntarily."
And yet they don't believe America should interfere in Iran. "Why
is it that America must always deal with the world through war? Why can't
they work through peace?" Sara asked.
Nazila, the youngest in the group, has a black belt in karate and teaches
the sport as well. She's wearing the short black overcoat known as a "roopoosh,"
a sheer black scarf and black denim pants. She has blond hair spilling
out of her scarf and wears a stylish pair of reflector sunglasses.
At the gym, she's allowed to practice minus Islamic cover, she said, but
only because the class is all women. She tells of a colleague who went
overseas to a karate tournament, only to be told that competitors weren't
allowed to wear scarves. She refused to compete and came home instead
- where the government made a big show of giving her an award.
Nazila giggles in the telling of it, and the others join in. It would
be ridiculous, they say, if it weren't so sad.
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Progress remains uneven, at best.
Most of the reform agenda that formed the basis of President Mohammad
Khatami's election in 1997 (and re-election in 2001) remains unachieved.
Women's testimony in court still counts for half that of men; custody
and divorce laws discriminate against them; and travel abroad for women
younger than 35 still requires the approval of a male family figure.
Iran remains a country where a judiciary accountable only to clerical
authorities can sentence a professor to death for challenging the supremacy
of clerical rule, as happened last fall in a case concerning dissident
academic Hashem Aghajari that is now under appeal.
More than 90 publications remain banned. A steady stream of journalists
and intellectuals have passed through jail, usually without the public
trial and jury that are ostensibly required under Iran's constitution.
An example is Isa Saharkhiz, editor of the monthly journal Sun and the
elected press representative on the panel that considers permit applications
for new newspapers and that reviews content for possible violation of
Iran's intricate rules of permissible material.
One of the pending applications is his own, for allegedly suspect articles
on Islam. No stranger to controversy, Saharkhiz was forced out of his
government job several years ago after approving a newspaper permit -
even though the applicant was the daughter of a former president.
"They wanted to suspend me for three years," he said, "and
so I resigned - for life."
In many areas the basij militia still wreaks havoc, from the street confrontations
with protesters in recent days to raids on shops that specialize in more
revealing versions of the overcoats women are still required to wear.
Moreover, the government has so far failed its biggest challenge - to
reform a sclerotic, corruption-ridden and largely state-controlled economy
so as to create jobs for the 2 million people now entering the work force
each year.
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For most young people, a university education isn't a realistic possibility,
not with 1.5 million high school students vying each year for some 150,000
slots. Drug addiction has soared; officially, the number of addicts and
regular drug users is said to be 2 million. Specialists say the real number
is probably 3 million or more, out of a total population of close to 70
million.
"Look around you," said an engineering student at Tehran University,
gesturing to the swarm of young people jamming a fashionable Italian restaurant
on a recent weekday night. "There's not a person here who has a real
job, or the prospect of getting one."
He was no exception himself, he said, noting that he was dragging out
his course work at the university to avoid compulsory military service
and because there were no jobs available after graduation.
Farmanara, the movie director, said that notwithstanding the heightened
U.S. presence in Iran's immediate vicinity, few people here put their
faith in an American-led solution to Iran's troubles.
"There was a time when we all thought that when Americans spoke of
freedom they spoke for everybody," he said. "Now we realize
they don't care if we go back to the 12th century. All they care is that
their own freedom is secure - if we go to hell, then so be it."
Farmanara speaks for many when he says that Iranians must solve their
problems themselves, by engaging society and taking risks and speaking
their minds.
There's a scene in his new film that expresses that point well. A doctor
and his secretary are discussing the case of a boy in a mysterious coma.
"They are bringing specialists in from abroad," the secretary
says.
"Nonsense," the doctor replies. "The cure is inside."
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© 2003, St. Louis Post-Dispatch.
Visit the Post-Dispatch on the World Wide Web at http://www.stltoday.com
Distributed by Knight Ridder/Tribune Information Services
An eight-year-old Hafiz of all Qoran goes into a coma, while reciting
Qoran. A very successful gynecologist, Dr. Sepidbakht runs over an angel,
while driving under the influence of alcohol. He does not believe in anything
and his life is in free-fall. He, too, is in a moral coma. A young girl
who is about to marry, discovers that she has AIDS, and decides not to
tell the groom. A group of unknown men pursue the doctor to take revenge.
They, too, are in a coma of hate. A HOUSE BUILT ON WATER is the story
of a society in a collective coma. A cry for help and a search for solution
for a nation that 65 percent of its population are under 25. Is there
any hope? Yes, but at what price?
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